This story is hot off the wires and I haven’t yet heard about what the critics were saying about the fabulous slab of stone…we can imagine it was something like “This piece is marvelous in its simplicity…complex for all of the modern issues which it represents…” Mink Hippie asks “How did they discover the error? Did the artist show up? ” It’s a nice example of why one shouldn’t take art too seriously…cd
One of Britain’s most prestigious art galleries put a block of slate on display, topped by a small piece of wood, in the mistaken belief it was a work of art.The Royal Academy included the chunk of stone and the small bone-shaped wooden stick in its summer exhibition in London.
But the slate was actually a plinth — a slab on which a pedestal is placed — and the stick was designed to prop up a sculpture. The sculpture itself — of a human head — was nowhere to be seen.
“I think the things got separated in the selection process and the selectors presented the plinth as a complete sculpture,” the work’s artist David Hensel told BBC radio.
The academy explained the error by saying the plinth and the head were sent to the exhibitors separately.
“Given their separate submission, the two parts were judged independently,” it said in a statement. “The head was rejected. The base was thought to have merit and accepted.
“The head has been safely stored ready to be collected by the artist,” it added. “It is accepted that works may not be displayed in the way that the artist might have intended.”
My books don’t fit in any neat box — because they’re about people who feel something huge is missing… and actually go look for it. Some even find it.
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CD Damitio writes at indignified.substack.com — essays on utopias, dystopias, and the spaces between. Free to read. No algorithm, no sponsored content. His books can be found on Amazon at https://www.amazon.com/stores/CD-Damitio/author/B001JP7NWA
CD Damitio writes INDIGNIFIED — utopias and dystopias explored. Free to read.
